Falling Giant’s music is often described as a fusion of elegance, darkness, and sensuality. Can you elaborate on how these themes shape your artistic vision?
Falling Giant is more than just a band; it’s a creative space where we explore human emotions through sound and aesthetics. Elegance comes from our attention to detail, inspired by our Italian heritage, blending classical influences with modern rock. Darkness reflects the raw, often unspoken struggles of the human experience—we don’t shy away from intensity. Sensuality is the pulse that drives it all, the visceral connection we create with our music. These elements shape our sound, our visuals, and even our performances, making every piece we create a journey into something deeper.
Over time, your sound has evolved significantly. How would you describe this transformation, and what has driven these changes in your music?
Our evolution has been organic, shaped by our experiences and the artists we’ve become. At first, we leaned into alternative rock with dark, atmospheric undertones. As we grew, we began experimenting with richer textures, cinematic elements, and deeper storytelling. The lineup changes also brought new influences and perspectives. We’re constantly pushing our boundaries—Dead Rose is proof of that. The transformation is driven by our desire to challenge ourselves and create something timeless.
Opening for Three Days Grace on several dates of their European tour was a major milestone. What did that experience mean for the band, both professionally and personally?
That moment was a turning point. Professionally, it put us on the map, giving us exposure to a massive audience and proving we could hold our own on a major stage. Personally, it was an emotional ride—just days before the tour, we had to make difficult lineup changes, so we went in with a lot to prove. Walking onto that stage in Bucharest for the first time, hearing thousands of voices—ourselves included—singing our songs was unforgettable. It solidified our vision and set the stage for everything that followed.
You’ve been featured in major publications like Billboard Argentina, Vanity Fair Germany, and even graced the cover of Hollywood Magazine. How have these features shaped Falling Giant’s international presence?
These features validated our work on a global scale. Billboard put us in front of an entirely new audience, Vanity Fair showcased our artistic depth, and Hollywood Magazine cemented our image beyond just music. Each recognition helped expand our reach and proved that Falling Giant is not just a fleeting name but an artistic movement with staying power.
Dead Roses presents a bold and experimental sound. What inspired the album’s title, and what themes does it explore?
A dead rose is a paradox—something once full of life and beauty, now withered, yet still captivating. This album is about that kind of tragic beauty. It tells the story of Death falling in love with a tango dancer who is doomed to perish. It’s about love, loss, and obsession, wrapped in dark romance. Musically, we took risks, blending orchestral arrangements, dark sounds, and raw emotion. It’s our most ambitious project yet.
Your single Show of the False has a striking message. What is the story behind this track, and what do you hope listeners take away from it?
Show of the False is a reflection on illusion—the masks people wear, the personas they create, the world as a stage where nothing is as it seems. The lyrics dive into the idea of deception, both self-inflicted and imposed by society. We want listeners to question reality, to strip away the falsehoods they’ve been fed and find their own truth.
Bringing in new members can redefine a band’s dynamic. What was the process like integrating them into Falling Giant, and how do you see them contributing to your evolving sound?
It was a challenge but also an opportunity. After our lineup shift, we needed musicians who not only had technical skill but also shared our vision. They brought fresh energy and new textures to our sound. Their presence has made us stronger, tighter, and more experimental.
You’ll soon be officially introducing the new lineup. What can fans expect from this next chapter of the band?
A more refined, more intense Falling Giant. The chemistry between us is undeniable, and you’ll hear that in our performances. Expect a rawer live energy, deeper storytelling, and music that pushes boundaries even further.
You recently worked with Canadian pop artist J4DE on an upcoming release. How did this collaboration come about, and what makes this track special?
J4DE is an artist we admire for his ability to blend vulnerability with power. The collaboration happened naturally—our styles are different, but we found common ground in storytelling. This track is special because it merges our dark, cinematic sound with his ethereal pop, creating something unexpected and hauntingly beautiful.
There’s been buzz about your interest in collaborating with Alien Blaze. What is it about her music that resonates with Falling Giant, and do you see a potential project happening soon?
AlienBlaze has a fearless energy—her sound is dark and unapologetically intense, which aligns with our own aesthetic. We’re drawn to artists who aren’t afraid to experiment. A project together would be explosive, and we’re definitely open to making it happen.
Looking ahead, where do you see Falling Giant in the next few years? Are there any specific milestones you’re aiming for?
We see ourselves on the biggest stages—Rock in Rio, Download Festival, Lollapalooza. We want to solidify our presence in the global rock scene and continue evolving artistically. A major tour across the UK, US and Asia is a goal, and of course, we want our music to leave a lasting mark.
Your music carries a strong artistic and emotional depth. What impact do you hope to leave on the music scene, and what messages do you want to convey to your audience?
We want to inspire people to embrace their own darkness, their desires, their dreams. Falling Giant is about pushing limits, embracing what makes you different, and finding beauty in the unknown. If our music makes even one person feel understood, then we’ve done our job.